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Another day the son-in-law rose early in the morning and went over to the old man's lodge and kicked against the poles, calling to him, "Get up now and help me; I want you to go and stamp on the log-jam to drive out the buffalo." When the old man moved his feet on the jam and a buffalo ran out, the son-in-law was not ready for it, and it passed by him before he shot the arrow; so he only wounded it. It ran away, but at last it fell down and died. The description is graphic, certainly. "Ask any one you like,—any one, I mean, that is not quite impossible," says Nicholas..

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"It is, miss; I know it, sir; but if the old man comes out an' finds the mare widout her bed, there'll be all the world to pay, an' he'll be screechin' mad." The cold seems hardly to touch Mona, so wrapped she is in the beauties of the night. There is at times a solemn indefinable pleasure in the thought that we are awake whilst all the world sleepeth; that we alone are thinking, feeling, holding high communion with our own hearts and our God. Mona, in spite of her haste, stoops to pluck a bunch of violets and place them in her breast, as she goes upon her way. Up to this the beauty of the early spring day has drawn her out of herself, and compelled her to forget her errand. But as she comes near to the place appointed for the interview, a strange repugnance to go forward and face Paul Rodney makes her steps slower and her eyes heavy. And even as she comprehends how strongly she shrinks from the meeting with him, she looks up and sees the chestnut-tree in front of her, and the stream rushing merrily to the ocean, and Paul Rodney standing in his favorite attitude with his arms folded and his sombre eyes fixed eagerly upon her. "You may as well call it a train; people like it better," says Geoffrey. "I'm sure I don't know why, but perhaps it sounds better.".